Coverage of Vernet Incontra Piranesi: thirty of Marshall Vernet’s black and white photographs shown alongside Giovanni Battista Piranesi’s Views of Rome.
Vernet Incontra Piranesi · Antonacci Lapiccirella Fine Art, Rome · 14 May – 5 June 2026
See the Series →Exibart
Piranesi e Vernet a confronto nella Roma delle rovine
“Each photograph is built as a narrative space, where light, emptiness, and architecture become emotional forces as much as visual ones.”
“The tonal range, compositional discipline, and cinematic punch of the pictures also draw on his background in film and advertising, shaped through collaborations with Tony Scott.”
“By stripping away color, Vernet focuses attention on the substance of light.”
Exibart
A Roma, l’occhio cinematografico di Marshall Vernet rilegge le vedute di Piranesi
“What happens when the eye of a film location consultant—trained to read space for directors of Tony Scott’s caliber—meets the architectural visions of Giovanni Battista Piranesi?”
“Disciplined black-and-white and a tonal depth that seems to draw straight from the density of Piranesi’s ink.”
“Roman stone becomes the unquestioned protagonist—freed from color to disclose pure structure and volume.”Read the Full Article →
Finestre sull’Arte
In Rome, Marshall Vernet’s photographs dialogue with Piranesi’s Vedute
“A black-and-white photographic series that emphasizes tonal depth, formal precision, and the commanding presence of the city’s architecture.”
“Vernet’s images reveal a Rome poised between continuity and change.”Read the Full Article →
Inside Art
Un fotografo newyorkese in via Margutta
“Marshall Vernet revisits Giovanni Battista Piranesi with a fresh perspective—building a bridge between memory, history, and the present day in the Eternal City.”
“Images that heighten the monumental presence of these iconic places.”
askanews
Le vedute di Roma, da Piranesi a un fotografo contemporaneo
“Photography that’s both fascinating and highly disciplined. He shoots in black and white, and he gives his images of Rome’s vistas a sense of monumentality that immediately brought Piranesi to mind.”Read the Full Article →